Emily PothastWhat I Witnessed in the Holy LandVisiting Israel, Palestine, and the Golan Heights on the eve of warOct 2010Oct 2010
Emily PothastinForm and ResonanceJordan Peterson’s Credulity is a Teaching MomentIn an arena where propaganda often drowns out truth, Peterson is a model of how not to approach information.Apr 4, 202340Apr 4, 202340
Emily PothastThe Tactical Utopianism of Sondra PerryConnecting the artist’s simultaneous exhibitions in Seattle and PortlandMar 16, 2022Mar 16, 2022
Emily PothastinForm and ResonanceDiego Rivera’s Pan American Unity Mural and Judy Chicago’s The FallThe striking similarities—and key differences—between two works currently on view in San FranciscoOct 31, 20211Oct 31, 20211
Emily PothastinForm and ResonanceExperiencing ‘Communitas-Through-Culture’ at the Scala SanctaAn pilgrimage in Rome reveals the relationship between objects and sacred experiencesOct 31, 2021Oct 31, 2021
Emily PothastinForm and ResonanceRodrigo Valenzuela’s Posthuman RuinsNew Works for a Post-Worker’s World is on view at Euqinom Gallery in San FranciscoOct 29, 2021Oct 29, 2021
Emily PothastinForm and ResonanceGasping Downwind from Judy Chicago’s “Forever de Young”An artist blanketed San Francisco with smoke and no one stopped herOct 21, 20211Oct 21, 20211
Emily PothastinForm and ResonanceThe (Re)colonization of Psychedelic MedicineCapitalists want to own the psychedelic movement. We can’t let them.Oct 1, 20211Oct 1, 20211
Emily PothastinForm and ResonanceHow Nam June Paik Anticipated the InternetAn artist dreamed of a hyperconnected future. Now we live in it.Oct 1, 20211Oct 1, 20211
Emily PothastinForm and ResonanceThe Fiery Visions of Agnes PeltonTwo exhibitions highlight the landscapes and abstractions of an underrated modernistSep 30, 2021Sep 30, 2021